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Written by Leslie Epstein
Produced by Parkman Productions
Directed by Alexandra Aron
Costumes by Oana Botez
Lighting by Zach Blane
Sound by Jane Shaw
Props by Sarah Pencheff-Martin
Here Arts Center
“The new production, directed by Alexandra Aron and designed by a crackerjack team (especially set designer Lauren Helpern), has transformed the theater into the Astoria Café, a Jewish-owned nightclub in 1939…”
-- newyorktheater.me
“The evocative set by Lauren Helpern puts the audience in the middle of the café, the actors milling about, their emotions and frustrations up close and personal.”
-- TheaterScene.net
“King of the Jews’ engrossing immersive narrative device is that the show takes place in Lodz, Poland’s, bustling Jewish-owned Astoria Café. New York City’s HERE Arts Center’s mainstage auditorium has been configured into an expansive playing area set with cabaret-style tables and chairs where the audience sits, experiencing the play in often close contact with the cast. There is a raised stage for musicians and performers, a busy bar and an entrance door with adjacent front windows. Scenic designer Lauren Helpern’s voluminous and finely detailed environmental landscape perfectly realize this pointed presentational concept.”
-- theaterscene.org
Close up photos by Russ Rowland
Written by Leslie Epstein
Produced by Parkman Productions
Directed by Alexandra Aron
Costumes by Oana Botez
Lighting by Zach Blane
Sound by Jane Shaw
Props by Sarah Pencheff-Martin
Here Arts Center
“The new production, directed by Alexandra Aron and designed by a crackerjack team (especially set designer Lauren Helpern), has transformed the theater into the Astoria Café, a Jewish-owned nightclub in 1939…”
-- newyorktheater.me
“The evocative set by Lauren Helpern puts the audience in the middle of the café, the actors milling about, their emotions and frustrations up close and personal.”
-- TheaterScene.net
“King of the Jews’ engrossing immersive narrative device is that the show takes place in Lodz, Poland’s, bustling Jewish-owned Astoria Café. New York City’s HERE Arts Center’s mainstage auditorium has been configured into an expansive playing area set with cabaret-style tables and chairs where the audience sits, experiencing the play in often close contact with the cast. There is a raised stage for musicians and performers, a busy bar and an entrance door with adjacent front windows. Scenic designer Lauren Helpern’s voluminous and finely detailed environmental landscape perfectly realize this pointed presentational concept.”
-- theaterscene.org
Close up photos by Russ Rowland